Hamlet And Father Essays - Characters In Hamlet,

Hamlet And Father There are many different reasons why Hamlet must avenge the death of his father the late King Hamlet. The aspect of justice versus revenge is a prominent theme throughout the play. Prominent characteristics in each of the characters seeking revenge shows the different aspects of what each character feels is justice. Hamlet is notoriously known for being a man of action. This characteristic hampers the chain of events that follow after his father's slaying. There are many reasons why Hamlet wants to avenge his fathers murder, and justice and revenge play a big role in when and where his revenge on Clauduis is played out There is the revenge that he feels must be carried out to save his families name. One of the most common themes is an "eye for an eye", and this is shown many times through out the play. This is the main difference in the revenge that hamlet seeks compare to that of the characters foil Laertes. There is also the problems and the turmoil Hamlet goes through with on when and where he must get revenge for his father, because he is having trouble justifying the murder himself. Critics argue weather or not hamlet waited too long to seek his revenge on Claudius. Weather or not this is a justifiable act is up to the reader. In an article entitled, Hamlet and Two Witness Rule" by Peter R. Moore, the work of two scholars is used to draw compelling arguments for both sides of the issue of the murder being justifiable. Scholar S.F. Johnson says there are certain books in the bible calling for revenge as the right thing to do in the case of murder. He cites, Numbers 35:30 "Anyone who kills a person is to be put to death as a murderer only on the testimony of witnesses. But not on is to be put to death on the testimony of one witness." "This permits or commands a man whose next of kin has been slain to kill the slayer"(Moore1). Therefore is makes Hamlet unaccountable towards God for his actions. Eleanor Prosser the second scholar in his article claims, "Numbers requires the avenger to act immediately and without hatred or malice"(1). This seems more plausible an argument for justifiable murder if it is a heat of the moment act. Moore agrees with Johnson on this matter however saying, "Johnson is quite right, as several aspects of Mosaic Law on avengers of blood were in Shakespeares mind when he penned Hamlet..."(1). This makes a strong case for why Hamlet should have acted earlier if he was wandering about the repercussions for murder in the eyes of God. This is the part of the play were the old phrase "an eye for an eye" comes to play. Hamlet would only be giving Clauduis what he deserves. If murder were justifiable in some severe cases then why did he wait for so long? Boris Pasternak's views on why Hamlet waited so long is this, "The real problem of Hamlet's character concerns not his procrastination, but rather the fact that living in a world where evil reigns, he finds himself every moment in danger of succumbing to the general infection. Even while preparing to carry out an act of justified vengeance, he causes, in the process, unwarranted pain. How to remain pure in circumstances where evil is unavoidable-here is one of the major human problems rising from the tragedy."(France 23) This shows more insight into why Hamlet waited as long as he did before getting his revenge. He is a good person at heart and does not want to lower himself to the level of his uncle who is "A little more than kin, and less than kind"(1.2.65). When one looks at the thought and turmoil Hamlet goes through it is easy to see the difference in the personality traits of Hamlet and Laertes and the different ways they go about achieving their revenge. One critic Boris Pasternak said of Hamlet" He is not at all a young man, but and aggressive heretic, burning with joy of struggle, drunk with struggle with an unequal struggle: against him is forces, his only weapon is thought"(France 25). This is where is where the main difference between the two characters is seen. While hamlet and Laertes are both honor bound to avenge the murder of their father they go about it in different ways. Laertes is a man of action, filled with impulse. He admits his own treacherous nature, and he does it

An Introduction to Loving Kindness Essays - Meditation, Self

An Introduction to Loving Kindness Essays - Meditation, Self An Introduction to Loving Kindness from Guided Meditation, Explorations and Healings Blueprint for a meditation - one that promotes the compassion of the heart. AN EXPLORATION OF THE HEART The practice of exploring the mind and that which lies beyond, begins and ends with the heart. The first step in our liberation is the cultivation of the heart's natural compassion. Meditation begins with the practice of non-injury, a deep willingness to end the suffering in the world and in ourselves. In truth it may be impossible to be alive in a body without causing pain to other beings and species, but our intention can be to create as little pain as possible and to use this life for the benefit of others. Non-injury is an intention, a guideline for the mind from the nature of the heart. We eat. We love in confused manners. We trip and fall over states of mind. And we learn the art of balance. [To support the changes, the heart suggests "without becoming aggressive toward the mind."] We are learning to live in a sacred manner. What is called for is neither force nor acquiescence, but an active participation in the moment. It is an opening to let in healing. When Mahatma Gandhi was asked about the "passive resistance" he was teaching all over India, he replied, "There is nothing passive in my resistance. It is just non-violent." Gandhi's "non-violence" is a skillful means toward a peaceful mind and world. Violence originates from the mind. Healing from the heart. So the heart and its "still small voice within" is taken as teacher on the path of liberation. And non-injury is its most obvious quality. Non-injury ranges from self-forgiveness to the end of world hunger. When we begin to practice non-injury, the judging mind, which gets so exasperated with our "trying," is not allowed its abusiveness without a deep response from a merciful awareness. Non-injury means to treat othersand ourselvesas the subject of our heart instead of an object in our mind. This is not the judgment-inducing dictum of the Ten Commandments. This is a commitment to healing and purification a will toward clear action. As with Buddhist precepts such as non-killing, non-stealing, non-lying, non-sexual misconductnon-injury and compassion are not divine rules carved in stone, but simply reflections in the mind of the nature of the heart used to reinforce stability and balance on the path. They are gentle reminders, teaching guides, along the shining path between what seem at times glaring opposites. This is not the self-hating morality which turns the pain to my pain. It is rather "a sense of the appropriate" which rises naturally from levels of awareness deeper than our masks and posturings, deeper than the personality, or even the acquired self. Entering directly our essential being the heart of the matter our "natural goodness" is manifest unceasingly. Clear action clears the way for clearer actions. Kindness calms the mind. An Introduction to Loving Kindness ...By cultivating loving kindness in that aspect of mind that usually lives life as an afterthought, we change the context of our existence. We begin to live directly. We awaken. The meditation that follows uses the conceptual, word-oriented mindscape in perhaps its most skillful manner. It turns a hindrance into an ally. The difference between receiving thought in a merciful awareness and being lost in thinking is the difference between liberation and bondage. Loving kindness deepens the responsive while softening the reactive. Loving kindness is not unique in its ability to be cultivated. We can cultivate any mental quality. Most of us have intensified our fear and anger by holding so often to the contents of the mind as being all we are. Practice indeed perfects, and we have perfected our fear to a frightening degree. Practicing envy or anger cultivates the re-arising of indignation and resentment. Practicing loving kindness encourages the recurrence of mercy and awareness and the letting go of the hindrances to the heart the self-interest, the fear, the separatism, the judgment, which limit our direct participation in the mystery. In the acquired mind there floats a thought-bubble called "me" and a thought-bubble called "you," but in reality there is

Checklist for the purchase of legal software Essay

Checklist for the purchase of legal software - Essay Example Managing calendaring and accounting practices are the main purposes of the required software. The software purchased for these purposes should exhibit characteristics reflects the interests of law firm purchasing it. This is because different software that serve the same purpose are developed, suitable for various management practices. The law firm intending to purchase the legal software should be well aware of the costs to be incurred. In other words, cost allocations made for management software should match the potential and affordability of the firm acquiring the software (Roper, 2007). Cost is evaluated alongside purpose and features exhibited by the software. Technological advancements are ever leading to software and hardware sophistication. In this regard, it is important to evaluate the technical knowhow of the parties involved, so that the software purchased is fully utilized as it should be. In other words, software that favors end usability should be purchased (Roper, 2006). Acquiring the software should be expected to change the practice efficiency for the better. In other words, calendaring and accounting practices in the management of a law office should not remain the same with or without the software. The software’s degree of enhancing the management of calendaring and accounting should be predetermined (Cornick, 2011). Fundamentally, the software should depict a scenario of operational cost reduction upon its purchase in relation to software licensing and law office management. Data capturing is essential, and purchasing the software at an early stage is essential. The software should be purchased and installed when the workload and data volumes are low, so that its integration into the management system is easier. This also means that the software to be purchased should have a long life span to minimize cases of changing software every now and then on a mid-practice

The standard constitution in international law Research Proposal

The standard constitution in international law - Research Proposal Example (thesis). Generally, every nation has constitutional law which can be of primary and secondary nature. As per HG ( 2014) â€Å"Constitutional law deals with the fundamental principles by which the government exercises its authority†. The primary law need to apply to all of the country’s constitution whereas the secondary constitutional law may or may not be applied by a nation. The constitutional law has an aim of improving the life’s of its citizen by promoting freedom and equality. The allocation o f power and individual rights for the betterment of a nation is the purpose of constitutional law. This would allow the country to be more economic and trade friendly, fair and justifiable. According to Balkin (1998) â€Å"Alternatively, the history of constitutional law is taught as the history of great jurists who show the rest of us the way through their wisdom or their folly†. A correct constitutional theory can get the best out of the constitutional law which gives more outcomes and reflect an ideal national value. The theory of constitutional law has a goal of satisfy the requirement of law, preserving fairness and democracy and promote justice. One of the theory of constitution law is originals where original understanding in regard to the language used in the formulation of constitutional law. As per Fish (2008) â€Å"Seeking the best interpretation of the Constitution, on the other hand, is seeking the interpretation that satisfies some extra-authorial standard which are morally and philosophically best†. Positivism is a theory that means that the constitutional law of a country need to look at the values and rights it promotes. The prosperity and integrity of the public needs to be considered at large when it comes to the constitution of international law. As per (Hart) â€Å"One of these thinkers, Gustav Rad- bruch, had himself shared the

Multinational Companies Management Essay Example | Topics and Well Written Essays - 2500 words

Multinational Companies Management - Essay Example This is the same in the case of employee retention. However it is very difficult for any organisation to take the necessary steps to retain its workforce and ensure that they remain loyal and engaged, and when this has to be carried out by an organisation with many different cultural dimensions the strategies that need to be adopted become even more difficult and complex. The author believes that through this study, she will be able to gain sufficient information on the specific steps that can be taken by a transnational organisations with regard to managing and retaining employees while remaining profitable and ensuring that they remain loyal and engaged and highly productive, thus making the organisation even more profitable. THE DIFFERENT MANAGEMENT STRATEGIES THAT CAN BE ADOPTED BY AN ORGANISATION WITH A DIVERSE WORKFORCE TO RETAIN ITS WORKFORCE, ENSURE EMPLOYEE LOYALTY AND ENGAGEMENT AND CONTINUE TO STAY PROFITABLE IN BOOM AND BUST CONDITIONS In this document the author proposes the methods and the type of research study that she will undertake in fulfillment of her degree requirement. The author is currently interested in studying how Multinational Companies such as Microsoft, IBM, Toyota, Honda, General Electric, Coke Cola, Unilevers, General Motors, Hewlett Packard and Sony can do to retain its employees, keep them engaged and loyal to the organisation, while ensuring that the organisation remains profitable through boom and bust conditions. In this proposal the author discusses the research objectives, the research topic, the methodology that she wishes to adopt, the limitations of the study, and finally the dissertation structure and the time line for the study. The author has carried out a brief literature review into the subject area and has presented it in this research to give the proposal more background and to justify the reason for the choice. Research Objectives Here the author will give a brief overview of the objectives of the research study that she will evaluate for completion at the end of the research. Gain an in-depth understanding of the importance of employee retention for a multi-national organisation. Gain an in-depth understanding of the importance of employee engagement for a multi-national organisation. Gain an understanding of the co-relationship between the profitability of the organisation, employee retention, employee engageme

Power of Images to Influence and Inform

Power of Images to Influence and Inform Images of Perfection in an Imperfect World. Abstract The power of images to influence and inform cannot be underestimated. This is especially true in contemporary society, where we are continually bombarded with images and with the messages implicit in them. The messages they emit are far-reaching, pervasive, and overwhelming in sheer magnitude. Most importantly: they are perfect. Photographs of beauty queens and movie stars the nearly perfect people who are the icons of society are manipulated so that the images are of true perfection. Blemishes dissolve, complexions glow, pounds melt away, and teeth sparkle as technology works its magic. When these images appear in the format of magazines targeted at young people, all of society should be concerned. What messages are informing the thoughts of youth today? How are they reacting? What can we do if we see that damage is being done? This paper will address that question, with a particular emphasis on the print publications aimed at girls and young women, who are statistically more apt to be bombarded with unattainable goals in the form of endless images of perfection. The people apparently in control of these publications particularly editors should have the authority to control that content, to redirect and or redistribute it to present more realistic views to their readers. This is particularly when faced, as they are, with evidence that the messages they are disseminating are harmful to large numbers of young people. In the case of young women who suffer from eating disorders, that evidence is in fact overwhelming. This paper intends to demonstrate the harm that is being done to young people globally, and most especially to young women, and the responsibility of the media to be accountable for content or at the very least, to stop airbrushing all the blemishes and imperfections they may see on original images, and present a more realistic and attainable vision of reality to those who seek it in their pages. Liz Jones When Liz Jones, who was then editor of the women’s magazine Marie Claire, resigned from the magazine, it was not a sudden decision. It was, rather, the culmination of a lifetime of experiences as a female member of society, followed by years working in a business that had a great influence on females in society. Quite simply: she had had enough. She explained publicly the reasons she decided to step down from her position as editor at Marie Claire, and she did so with heartfelt emotion and compelling clarity. First, she described her feelings earlier that year as she sat through another season of high fashion: modeling spectacles in which all eyes are upon myriads of unnaturally thin young women the ‘supermodels’: For those used to the fashion industry there was nothing unusual about the shows at all. But for me it was the end, it was then that I decided to resign as editor of Marie Claire magazine. I had reached the point where I had simply had enough of working in an industry that pretends to support women while it bombards them with impossible images of perfection day after day, undermining their self-confidence, their health and hard-earned cash (Jones, 2001). Jones goes on to explain the sequence of events that, together, resulted in her resignation. One of the most important factors was the considerable effort she had put into a campaign to effect profound change on the media’s approach to and impact on young women. The campaign was met with such vehement hostility that she found it extremely difficult to continue to be involved with this part of the industry. Just one year earlier, she notes, she had optimistic beliefs unrealistic, perhaps about the prospects for change: ‘I believed wholeheartedly that we could stop magazines and advertisers using underweight girls as fashion icons’ she wrote (2001). She had already proscribed articles about diets and weight-loss, which was an action that was far ahead of its time. This was clearly a step in the right direction but she knew that it was not enough. As part of an experiment, she decided to publish the same edition with two covers one of size-six Pamela Anderson, and one with the fleshier size twelve Sophie Dahl. Marie Claire then asked readers to choose ‘between the skinny, cosmetically enhanced â€Å"perfection†, or a more attainable, but still very beautiful curvy woman’ (2001). There was literally no contest; Sophie Dahl clearly won the support of the readers. The reaction that followed the contest was ‘staggering’, Jones noted. A media frenzy ensued; universities wanted to include it in their course curricula; filmmakers made documentaries about it; and, perhaps most tellingly, an unprecedented number of readers reacted and responded with enthusiastic and overwhelming support. However, the one group whose cooperation was most expected and most needed other members of the industry refused to rally. Jones found no support from her colleagues; instead, they reacted with a vehemence and aggression that both stunned and saddened her. ‘The very people from whom I had expected the most support my fellow female editors were unanimous in their disapproval’, Jones wrote. ‘They were my peers, friends, and colleagues I sat next to in the front row of the fashion shows. They were also the most important, influential group of women in the business, the only people who could change the fashion and beauty industry’ (2001). Some labeled her a ‘traitor’; others suggested that she was using this campaign as some sort of clever ploy to boost circulation numbers. She was even accused of discrimination against thin models. Model agencies began to blacklist the magazine. Despite this, Jones redoubled her efforts. She even spoke publicly about her own struggles with eating disorders. From the age of eleven, she admitted, she was plagued with the eating disorder anorexia a disorder that lasted well into her twenties. Because of this, she explained, she was very able to understand how deleterious it was for young women to subsist on ‘a daily diet of unrealistically tiny role models gracing the pages of the magazines’ that they are addicted to, as she was (Jones, 2001). Furthermore, she does not lay blame on the publications exclusively; rather, she points out that they definitely did more harm than good. If they were not the impetus that set off the disorder, the graphics she was so bo mbarded with seemed to encourage it: ‘the images definitely perpetuated the hatred I had for my own body’ (2001). To test her theory, the research team at Marie Claire formed a focus group of young, bright, accomplished women. The women were asked a series of questions about their bodies, after which they were free to peruse a selected group of magazines for approximately an hour. When the hour was up, the same questions were asked this time, the answers were very different. ‘Their self-esteem had plummeted’ Jones writes (2001). As the literature and research to be presented in this paper shows, the results of Ms. Jones informal sociological study was very close to the truth: her instincts were right on the mark. However, in hostile surroundings with little support, she was unable to follow them. It soon became clear that the tide of advertisers was far too strong a force to fight from within the industry, and she reached a point of no return: ‘I refuse to conform with an industry that could, literally, kill’ wrote Jones, a survivor. Chapter I. Background.A. Predecessors and Successors Liz Jones was not the first woman to struggle in the name of editorial change. Along with Jones, there were her American predecessors, Grace Mirabella of Vogue, and Gloria Steinem of Ms. In her autobiography, In and Out of Vogue, Mirabella writes about receiving a virtual threat from her publishers, ordering her not to include any articles that criticised cigarette smoking. She was told there should not be even a hint that there might be medical risks associated with nicotine use despite the fact that evidence had already been made known to the public that such risks existed. The reason for this was advertising, the lifeblood of the magazine. Millions and millions of dollars were poured into magazine advertisements by tobacco giants. This gave tobacco manufacturers a sense of power, a right to have input, or even to dictate, what made up the content of the publications they advertised in. They made it clear that any disparagement of their product however valid would result in thei r immediately pulling their advertisements and discontinuing their sponsorship (Mirabella, 1995). Unable or unwilling to risk this, the publishers of Vogue passed on the restrictions to Mirabella. The fact that the health of female readers who also supported the magazine by purchasing it might have been compromised was virtually a non-issue. Another of Jones’ predecessors was American feminist Gloria Steinem, whose magazine Ms. was groundbreaking in a number of ways, and especially in its handling of advertisements. The editors of Ms. Magazine battled constantly with advertisers who contributed to the magazine’s coffers. Noted writer Marilyn French discusses the battles Ms. had with both Clairol and Revlon, two of its major sponsors. Both cases share similarities with the Vogue situation and are worth mentioning. Both companies withdrew their advertisements and cut off funding, each for different but equally significant reasons. Clairol did this after Ms. ran text that included information about medical studies that suggested the possibility of there being carcinogens in hair-dye products. Clairol, well known for its hair-care products, had regularly placed advertisements in the magazine until a disturbing article appeared alongside them, addressing the possibility of carcinogenic content in hair dyes. The topic had already been made public, and was, in fact, the topic of congressional proceedings at the time. In addition, the possibility of cancer-causing agents was widely reported in newspapers and other publications. Still, Clairol was not pleased to have that information appear in the same publication in which it placed advertisements for that very product. The advertisements were removed. Revlon’s reason for cutting off Ms. was slightly different, and certainly less compelling. Revlon executives were disgruntled with the appearance of a cover photograph which showed faces of women from the Soviet Union it was the cover story, and one which they had initially supported. The subject area was something rarely written about at that time, about a populist movement in Afghanistan, and was considered quite an achievement by many, both from within and outside the industry. However, the women in the photos were not wearing Revlon products they were not wearing makeup at all. The company found this objectionable because if the women were not wearing makeup, the cover story was not selling Revlon products(French, 1992: 171). That was enough for Revlon. The advertisements were removed. Later on came an editor from Australia: Cyndi Tebbel, who headed New Woman Australia in 1996. For a year and a half, Tebbel focused on self-help that could not be equated with self-flagellation: she said â€Å"no† to diets, â€Å"yes† to relationship and career advice. In 1997, near the end of her leadership, she published a groundbreaking issue embracing the concept of and featuring large-size models. Although the original strap was ‘Fat Is Back’, the issue finally ran as ‘The Big Issue’. Sales did not plummet, but neither did they soar. Still ‘The Big Issue’ was perceived as ‘unglamorous’, and did little to win support for Tebbel’s cause. Shortly after its publication, Tebbel resigned. There are more and more editors like this as well as writers, designers, photographers, even fashion models themselves who are ‘coming out’ as true supporters of women ‘as they are’. This is, no doubt, due in good part to the work of those that came before. However, they are still a minority, albeit a strong one. B. Fashion Victims What is it that women want? In her book Fashion Victim, editor and writer Michelle Lee raises a number of valid points as she attempts to answer this question.She speculates on what would happen if mainstream magazines began to feature plus-size, or even slightly plump models on their front covers: ‘Even if magazines showed heavier body types on a regular basis, would consumers really respond positively?’ She answers the question by explaining that in theory, we like the idea of showing realistic portrayals of ‘real’ women but the truth is that we don’t like to see them. ‘We appreciate the idea of magazines that use larger models’ Lee asserts. ‘We’re glad they exist. We like the idea of magazines that show more â€Å"realistic† sizes. The only problem is that we don’t buy them, and then they go out of business’ (Lee, 2003: 144). She follows this statement with statistics to underscore her point. The poin t that truly needs to be addressed here, however, is not the fact that we don’t buy magazines that feature the truest images of our selves: but rather, the reason we don’t we buy them. Why don’t we buy them? What is wrong with these magazines that show us who we really are? Or rather: what is wrong with these images of our less-than-perfect ‘selves’? ‘With all of these studies pointing to the public’s apparent need and desire for more â€Å"realistic† body shapes, it would seem likely that magazine publishers would bow to public pressure’, asserts Lee. Apparently, the magazine publishers are one step ahead. They know that what people say is often very different from the ways in which they act. The proof, for them as well as for Lee, is in the numbers. ‘Magazine publishers know that survey respondents are more virtuous on paper than they are at the newsstand’, notes Lee. ‘Top editors and publishers know that thinner cover girls sell more issues’ (Lee, 2003: 139). The noted researcher Angela McRobbie echoes this, asserting that in Britain, ‘winning the hearts and minds of young women has become a social and political priority. There is now a hegemonic effort extended across the social field to win the consent of young women’ (2001: 201). Catering to the desires of th ese young women, then, means displaying covers that they want to see. The point for them is, after all, to sell and they sell by doing what works. What works is staying in business but to stay in business, magazines rely on their advertisers. Because the advertisers are the ones who foot the bill, they have considerable power when it comes to dictating the content of the articles that appear alongside their ads. As French explains it, ‘makers of products for women require women’s magazines (†¦) to print recipes and articles on beauty and fashion to highlight their ads, and further, to promote a certain kind of beauty, food, and fashion the accoutrements of woman-as-commodity’ (1992: 171). Advertisers are also concerned that when their products appear in women’s magazines, they will decrease in value. The association of the product with women is thought to somehow debase it: ‘Many advertisers avoid women’s magazines entirely, fearing that a product that becomes associated with women will be devalued for men. . . .To be assured of advertising revenue, women’s magazines must be vapid, contentless’ (French, 1992: 172). C. Playing Both Sides In addition, advertisers seem to want it both ways they want to sell products to women, and they want to be perceived as supportive of women. Often, these two desires art at odds with each other. On a superficial level, most magazines do a good job of including titles and headlines that, on a cursory reading, appear to do both at the same time. And, as we have seen, ‘real’ women on the cover don’t sell consistently high numbers of magazines for the major publications. As sophisticated as young women may be today, they are still imprisoned in societal expectations. McRobbie asserts that ‘the now normative irony (as knowingness) which pervades the contemporary popular culture and mass media in which young women find themselves accommodated to as post-feminist high achievers, actively disallows such inclinations’ [to be themselves] (2004: 508–509). She also explains that because of their success, these young women are removed from having to face some of the more unpleasant issues that are faced daily by less fortunate female counterparts. What feels like a luxury to them the avoidance of unpleasant realities actually strips them of power, unbeknownst to them. ‘Daily discouraged from the requirement to think or act with courage (as a privilege of the good fortune of living in the affluent liberal west)’ she writes ‘is of course an effective means of disempowerment’ (2004: 509). ‘The last thing magazines want to do is shoot themselves in the foot by admitting that they play a role in creating negative body image’ notes Lee (2003: 140). In order to be profitable and keep their public persona intact, they work from different angles: ‘they do their best to help women break out of that mind-set. But at the same time, they can’t ignore that readers do want to lose weight (or, as most magazines now call it, â€Å"get fit†), so they’re forced to play both sides’ (Lee, 2003: 140). Hence, a single edition of a magazine or, as the later analysis of Cosmopolitan and Marie Claire will demonstrate, may contain contradictory messages on the cover, in the Table of Contents, in the advertising, and in the articles themselves.   Ã¢â‚¬ËœAll magazines are to some degree controlled by advertisers; even supposedly independent news magazines use â€Å"soft† cover stories to sell ads’, asserts French (1992: 171). Thi s control is unavoidable, since advertising is what funds the publications in the first place. Additionally, notes French, all magazines ‘censor articles that might disturb big advertisers or the government (1992: 171). Private backing is an unrealistic solution to this problem because generally, the backers are men: ‘Women’s magazines generally cannot attract such private backing because few women have money’ (French, 1992: 171). As a result, magazines are heavily pressured to include content that advertisers want. There is little choice in this, because to go against the wishers of those who provide the funds is to risk losing the funds and perhaps losing the magazine as well. McRobbie underscores this point, explaining that media ‘have long been seen to be embedded in the fabric of society’ What is new about this, she asserts, is that the power exerted by the media has become stronger than ever. ‘What may be constitutively new is the degree to which media have become something with which the social is continuously being defined’ (McRobbie, 2000: 193). The situation is exacerbated because fashion media cannot lash out against this. ‘Much of the fashion media’s lack of criticism seems to stem from its financial dependence on the industry it covers’ asserts Lee (2003: 100). She notes that ‘fashion magazines have long been among the targets of eating-disorders studies. And many of the results have been damning’ (Lee, 2003: 139). Few would argue the validity of this notion. In fact, most women and most men as well would not need to see evidence. The idea that media dictate the mindsets of young people is not new. In Reviving Ophelia, Feminist Mary Pipher points out that ‘the omnipresent media consistently portrays desirable women as thin’, while ‘models and beautiful women are portrayed as thinner’ even as real women grow heavier. (1994: 216). ‘Underlying advertisers’ constraints is the fear shared by the male establishment generally, that women with a stronger self-image might no longer be willing to remain a servant class, might even unite against exploitation’ notes French (1992: 172–173). She explains that in order to keep a particular segment of the population subordinate, one must first convince the members of that segment that they deserve to be treated this way, usually because of some flaw or inferiority inherent in the group. ‘A person of an inferior group cannot be the author of her or his own life but must center on the superior group’ (French, 1992: 173). Chapter IIFeminism and the Growth of Women’s MagazinesA. Women: A User’s Guide In her volume Feminism, Femininity, and Popular Culture, British scholar Joann Hollows points out that ‘for feminist critics, girls’ magazines have been seen as significant because of their power to define and shape teenage femininities (2000: 167). She goes notes that the ways in which magazines have shaped girls’ development has shifted over the years; the impact is just as strong if not stronger but the means of wielding that power has been transformed. Until the 1980s and 1990s, girls became ‘hooked’ on the idea of physical seduction. Then the ‘hook’ became another form of seduction what Hollows, McRobbie and others call ‘the seduction of buying’ (Hollows, 2000: 171). Of course, McRobbie’s extensive studies and analyses of girls’ magazines provide a wealth of material on this subject. But both the development of the magazine format and the topic of femininity are inextricably intertwined. Hollows also exp lains that ‘feminisms differed in their form and character in different geographical contexts. However, if we take the cases of the UK and US, we can see some similarities in feminist concerns, despite the crucial differences between the forms of feminism which were created’ (2000: 3). It might be worthwhile, then to look into the history of the magazine itself, and to explore how, though developing in places that were geographically distant from each other, the genre ended up being very similar. American researcher Terry Poulton discusses the early days of women’s magazines as ‘the advent of a means of communication by which women could be taught what was expected of them, beauty-wise’, (1997: 30). It was, in essence, a sort of ‘user’s manual’ for women, teaching them what they wanted (assuming they all wanted the same things), and how to act in socially appropriate ways in order to get these things. There was no choice involved, because expectations at that time were rigidly set. Going against what was socially acceptable simply was not an option, and any leanings in the ‘wrong’ direction would most certainly be met with censure and/or ostracism. What Poulton refers to as an operator’s manual was, of cou rse, the beginning of the woman’s magazine. Of course, women had been learning these lessons for years, but never before from a standardized source that would keep them updated of changes on a timely and regular basis. The introduction of women’s magazines bestowed upon those who produced them incredible amounts of power the power to influence women, and in myriad ways. The ways women thought, the way they acted, and of course the way they looked were largely molded by the words and images that arrived in their monthly ‘users’ guides’. As Poulton puts it, ‘what had been missing for centuries a way to deliver visual images to masses of potential consumers had finally arrived’ (1997: 30). B. From Godey’s Lady’s Book to ‘Scientifically Precise’ Fashion Among the first women’s magazines were the U.S. publications Ladies Magazine in 1828, followed a short time later by Godey’s Lady’s Book, in the same year. According to Poulton, ‘thin was in for the first time’ with the advent of these publications. In fact, they are commonly thought to be at least partly responsible for precipitating a diet craze in the United States the first of many (1997: 29). Poulton explains that a foreshadowing of eating disorders also appeared during this time, when an article that appeared in Godey’s Lady’s Book discussed the tragic story of a woman named Louise. Apparently distraught after being ridiculed for her size, she decided to take action. She embarked on a grueling and unhealthy reducing regimen that consisted of a single glass of vinegar each day. Apparently, it worked on one level: she did reduce her size. However, we may ask, at what price? In a matter of months, according to the story, Louise wa s dead (Poulton, 1997: 29–30). In Great Britain, a comparable publication came along in 1872. Entitled The Ladies: A Journal of the Court, Fashion and Society, this publication presented fashion tips from a ‘scientifically precise’ perspective. Historian Virginia Cope explains that it also had clear political messages, with overt pieces in which the need for more political rights for women were discussed. The publication catered to upper-class London women, but appealed to middle-class women as well. The way the American publications served as ‘operator’s manuals’ for women in the U.S., so too did The Ladies for British society women. In this case, however, the guide was originally targeted at the higher classes; however, it soon became a primer for those middle-class women who wanted to rise socially. Implicit in the articles about housekeeping and fashion were lessons to the under classes in how to behave like their more elite counterparts. The ultimate hope that perhaps they wou ld one day be accepted by them was, of course, implicit, and dangled like a carrot to keep them purchasing the magazine each month. However, it seems that The Ladies wasn’t offering quite enough to ladies of either class: the publication did not last long, crumbling after a mere nine months. Even so, it serves as a reflection of British society at the time, which was becoming one of instability and constant flux. Whereas during the days of Queen Victoria’s reign, women’s place was thought to be at home, this gradually began to change and a type of feminism took root. As Britain became more and more industrialised, roles of men and women shifted. Similar changes took place in the United States. Publications of the time from both sides of the ocean like The Ladies and Godey’s Lady’s Book bear witness to this. The power these early publications held over some women is even more significant when one considers that the artistic renderings included in them the ‘graphics’ were just drawings. Photography would not become a part of the process for many years: the age of photographic reproduction was still far off, so images included in the magazines were sketches of varying quality and proportion; these drawings were highly exaggerated and understood to be idealized and unrealistic. Even so, the women who read these early publications still felt their impact, and the pressure to conform was felt by many. This influence would greatly increase when actual photographs replaced the drawings as part of the deceptively seductive advertising package. C. ‘The Camera Doesn’t Lie’ The inclusion of actual photographs in magazines heralded change a dramatic and significant change. No longer were articles accompanied by fanciful renderings of what women should look like now there were actual, live models against which readers could measure themselves. ‘With the mistaken conviction that cameras cannot lie, it was clear sailing for what came to be called â€Å"the tyranny of fashion†Ã¢â‚¬â„¢, explains Poulton. ‘From now on, women would feel obliged to remodel their body shape in favor of the prevailing silhouette’ (Poulton, 1997: 30). There was a scientific precision that photography offered, and it wielded much more power than the often whimsical and sometimes anatomically impossible renderings of a human hand. Yet photography was merely the precursor to what would come next, as magazines became inextricably bound to the world of marketing: ‘Poised on the threshold was another kind of tyranny that would be inimical to women’ s ability to feel at peace with their bodies: advertising’ (Poulton, 1997: 30). The setup was ingenious: magazines, through both text and photography, would introduce new ideas to women, particularly about ways in which they failed to meet prevailing standards. At the same time perhaps even on the same page would be an advertisement for a product that would help them ‘improve’ what they now knew to be flawed parts of themselves. Cinematic portrayals soon became a part of this complex process. As French points out, ‘the debasement of women in art and advertising is echoed in cinematic images’ (1992: 164). This was true then, and remains true now. Perhaps no one puts this more succinctly than the American feminist Gloria Steinem, founding editor of Ms., who breaks the process into three parts: â€Å"to create a desire for products, instruct in the use of products, and make products a crucial part of gaining social approval’ (Steinem, quoted in Poulton, 1997: 30). D. Twiggy: Thin Becomes ‘In’ Weight-loss issues did not gain true prominence until the years following World War I. At that point, corpulence became another problem that women had to deal with. Women began to get more and more messages that indicated that extra weight was taboo. These messages were often tied in complex ways to issues of ability, intelligence, and even morality For help, Poulton explains, the typical woman would turn to magazines for help: ‘What was a woman to do if she was guilty of the new â€Å"crime† of corpulence? Why, just flip the pages of her favourite magazine until she found an article or an ad promoting the very latest in reducing schemes, potion, gimmicks, gadgets, and gizmos’ (Poulton, 1997: 33). This continual reinforcement of the message that being overweight was unacceptable left a comfortable niche for marketers of weight-reducing schemes to claim. The introduction of Lesley Hornby signified a major change for women on both continents. The British-born Hornby better known as ‘Twiggy’ became an overnight international sensation. She is considered by many to be the ‘world’s first supermodel’. Twiggy’s debut onto the New York scene was another turning point. ‘Within a year after Twiggy’s debut, the editorial and advertising cheering sections at women’s magazines had shifted into high gear and added exercising to their lists of must-do’s’ explains Poulton. Thinness as personified by Twiggy was an absolute must, and this dictum was treated with stringent rigidity. Poulton uses an excerpt from a Mademoiselle article of the period: ‘â€Å"Creampuffs, there’s no escape. Whip yourself into super shape and stay that way†Ã¢â‚¬â„¢ (1997: 45). The attitudes taken were both imperative and encouraging not to mention confusing and set a tone tha t in coming years would grow much more severe. McRobbie refers to the ‘boyish femininity of the girls’ of this period as ‘best exemplified in the early fashion shots of Twiggy’ (2000: 20). The ‘Twiggy’ standard has not really changed much since storming the scene in the 70s. ‘The standard of beauty crystallized into a single dominant body image mandated by those who, knowingly or unwittingly, were doing the bidding of marketers’ notes Poulton (1997: 54). Styles changed radically hot pants, hip huggers, mini-skirts, maxi-skirts the list is endless. Throughout all this, the paradigm of thinness has remained the standard towards which women should strive. If thin was in, ‘too thin’ was even more acceptable and encouraged: ‘In the magazines and on the fashion runways, the twirling girls grew thinner and younger by the year. . . . Meanwhile, real women were getting plumper with every technological advance that made physical labor obsolete, and with every new fat-laden food that came on the market’ (Poulton, 1997: 59–60). Yet not all women were able to achieve this unrealistic standard, thus beginning a wave

Othello and Different Senses of Abnormal :: Othello essays

Othello and Different Senses of Abnormal  Ã‚        Ã‚   As inconsequential as they may initially seem, the various types of abnormalities in William Shakespeare’s tragic drama Othello do impact upon the audience. Let us explore this subject of the deviant in this play.    In the essay â€Å"Wit and Witchcraft: an Approach to Othello† Robert B. Heilman discusses the abnormal attitude and plans of the ancient as manifested in his verbal imagery:    If we take all the lines of one character out of context and consider them as a unit, we have always a useful body of information; but if, when we study Iago’s lines, we find that he consistently describes himself in images of hunting and trapping, we learn not only his plans of action but something of his attitude to occasions, to his victims, and to himself; and beyond that there is fixed for us an image of evil – one of those by which the drama interprets the human situation. (331)    And how about epilepsy? In Act 4 the evil Iago works up Othello into a frenzy regarding the missing kerchief. The resultant illogical, senseless raving by the general is a prelude to an epileptic seizure or entranced state:    Lie with her? lie on her? – We say lie on her when they belie her. – Lie with her! Zounds, that’s fulsome. – Handkerchief – confessions – handkerchief! – To confess, and be hanged for his labor – first to be hanged, and then to confess! I tremble at it. [. . .] (4.1)    Cassio enters right after the general has fallen into the epileptic trance. Iago explains to him:    IAGO. My lord is fall’n into an epilepsy. This is his second fit; he had one yesterday. CASSIO. Rub him about the temples. IAGO. No, forbear. The lethargy must have his quiet course. If not, he foams at mouth, and by and by Breaks out to savage madness. Look, he stirs. Do you withdraw yourself a little while. He will recover straight. (4.1)    Epilepsy on the part of the protagonist is unusual and physically abnormal. But the more serious abnormalities in the play are psychological. Iago is generally recognized as the one character possessing and operating by abnormal psychology. But Lily B. Campbell in Shakespeare’s Tragic Heroes tells of the time when the hero himself approached â€Å"madness†:

Mechanical Engineering Essay

Mechanical engineering is a discipline of engineering that applies the principles of engineering, physics and materials science for analysis, design, manufacturing, and maintenance of mechanical systems. It is the branch of engineering that involves the production and usage of heat and mechanical power for the design, production, and operation of machines and tools.[1] It is one of the oldest and broadest engineering disciplines. The engineering field requires an understanding of core concepts including mechanics, kinematics, thermodynamics, materials science, structural analysis, and electricity. Mechanical engineers use these core principles along with tools like computer-aided engineering, and product lifecycle management to design and analyze manufacturing plants, industrial equipment and machinery, heating and cooling systems, transport systems, aircraft, watercraft, robotics, medical devices, weapons, and others. Mechanical engineering emerged as a field during the industrial revolution in Europe in the 18th century; however, its development can be traced back several thousand years around the world. Mechanical engineering science emerged in the 19th century as a result of developments in the field of physics. The field has continually evolved to incorporate advancements in technology, and mechanical engineers today are pursuing developments in such fields as composites, mechatronics, and nanotechnology. Mechanical engineering overlaps with aerospace engineering, metallurgical engineering, civil engineering, electrical engineering, petroleum engineering, manufacturing engineering, chemical engineering, and other engineering disciplines to varying amounts. Mechanical engineers may also work in the field of Biomedical engineering, specifically with biomechanics, transport phenomena, biomechatronics, bionanotechnology and modeling of biological systems, like soft tissue mechanics. Mechanical engineering finds its application in the archives of various ancient and medieval societies throughout mankind. In ancient Greece, the works of Archimedes (287 BC–212 BC) deeply influenced mechanics in the Western tradition and Heron of Alexandria (c. 10–70 AD) created the first steam engine.[2] In China, Zhang Heng (78–139 AD) improved a water clock and invented a seismometer, and Ma Jun (200–265 AD) invented a chariot with differential gears. The medieval  Chinese horologist and engineer Su Song (1020–1101 AD) incorporated an escapement mechanism into his astronomical clock tower two centuries before any escapement can be found in clocks of medieval Europe, as well as the world’s first known endless power-transmitting chain drive. During the years from 7th to 15th century, the era called the Islamic Golden Age, there were remarkable contributions from Muslim inventors in the field of mechanical technology. Al-Jazari, who was one of them, wrote his famous Book of Knowledge of Ingenious Mechanical Devices in 1206, and presented many mechanical designs. He is also considered to be the inventor of such mechanical devices which now form the very basic of mechanisms, such as the crankshaft and camshaft. Important breakthroughs in the foundations of mechanical engineering occurred in England during the 17th century when Sir Isaac Newton both formulated the three Newton’s Laws of Motion and developed Calculus, the mathematical basis of physics. Newton was reluctant to publish his methods and laws for years, but he was finally persuaded to do so by his colleagues, such as Sir Edmund Halley, much to the benefit of all mankind. Gottfried Wilhelm Leibniz is also credited with creating Calculus during the same time frame. During the early 19th century in England, Germany and Scotland, the development of machine tools led mechanical engineering to develop as a separate field within engineering, providing manufacturing machines and the engines to power them.[5] The first British professional society of mechanical engineers was formed in 1847 Institution of Mechanical Engineers, thirty years after the civil engineers formed the first such professional society Institution of Civil Engineers.[6] On the European continent, Johann von Zimmermann (1820–1901) founded the first factory for grinding machines in Chemnitz, Germany in 1848. In the United States, the American Society of Mechanical Engineers (ASME) was formed in 1880, becoming the third such professional engineering society, after the American Society of Civil Engineers (1852) and the American Institute of Mining Engineers (1871).[7] The first schools in the United  States to offer an engineering education were the United States Military Academy in 1817, an institution now known as Norwich University in 1819, and Rensselaer Polytechnic Institute in 1825. Education in mechanical engineering has historically been based on a strong foundation in mathematics and science. Education Degrees in mechanical engineering are offered at universities worldwide. In Brazil, Ireland, Philippines, Pakistan, China, Greece, Turkey, North America, South Asia, India, Dominican Republic and the United Kingdom, mechanical engineering programs typically take four to five years of study and result in a Bachelor of Engineering (B.Eng), Bachelor of Science (B.Sc), Bachelor of Science Engineering (B.ScEng), Bachelor of Technology (B.Tech), or Bachelor of Applied Science (B.A.Sc) degree, in or with emphasis in mechanical engineering. In Spain, Portugal and most of South America, where neither BSc nor BTech programs have been adopted, the formal name for the degree is â€Å"Mechanical Engineer†, and the course work is based on five or six years of training. In Italy the course work is based on five years of training, but in order to qualify as an Engineer you have to pass a state exam at the end of the course. In Greece, the coursework is based on a five year curriculum and the requirement of a ‘Diploma’ Thesis, which upon completion a ‘Diploma’ is awarded rather than a B.Sc. In Australia, mechanical engineering degrees are awarded as Bachelor of Engineering (Mechanical) or similar nomenclature[9] although there are an increasing number of specialisations. The degree takes four years of full-time study to achieve. To ensure quality in engineering degrees, Engineers Australia accredits engineering degrees awarded by Australian universities in accordance with the global Washington Accord. Before the degree can be awarded, the student must complete at least 3 months of on the job work experience in an engineering firm. Similar systems are also present in South Africa and are overseen by the Engineering Council of South Africa (ECSA). In the United States, most undergraduate mechanical engineering programs are  accredited by the Accreditation Board for Engineering and Technology (ABET) to ensure similar course requirements and standards among universities. The ABET web site lists 302 accredited mechanical engineering programs as of 11 March 2014.[10] Mechanical engineering programs in Canada are accredited by the Canadian Engineering Accreditation Board (CEAB),[11] and most other countries offering engineering degrees have similar accreditation societies. Some mechanical engineers go on to pursue a postgraduate degree such as a Master of Engineering, Master of Technology, Master of Science, Master of Engineering Management (MEng.Mgt or MEM), a Doctor of Philosophy in engineering (EngD, PhD) or an engineer’s degree. The master’s and engineer’s degrees may or may not include research. The Doctor of Philosophy includes a significant research component and is often viewed as the entry point to academia.[12] The Engineer’s degree exists at a few institutions at an intermediate level between the master’s degree and the doctorate.

Theoretical Yield Worked Example Problem

Theoretical Yield Worked Example Problem This example problem demonstrates how to calculate the amount of reactant needed to produce a product. Problem Aspirin is prepared from the reaction of salicylic acid (C7H6O3) and acetic anhydride (C4H6O3) to produce aspirin (C9H8O4) and acetic acid (HC2H3O2). The formula for this reaction is:C7H6O3 C4H6O3 → C9H8O4 HC2H3O2.How many grams of salicylic acid are needed to make 1000 1-gram tablets of aspirin? (Assume 100% yield) Solution Step 1 - Find molar mass of aspirin and salicylic acidFrom the periodic table:Molar Mass of C 12 gramsMolar Mass of H 1 gramsMolar Mass of O 16 gramsMMaspirin (9 x 12 grams) (8 x 1 grams) (4 x 16 grams)MMaspirin 108 grams 8 grams 64 gramsMMaspirin 180 gramsMMsal (7 x 12 grams) (6 x 1 grams) (3 x 16 grams)MMsal 84 grams 6 grams 48 gramsMMsal 138 gramsStep 2 - Find mole ratio between aspirin and salicylic acidFor every mole of aspirin produced, 1 mole of salicylic acid was needed. Therefore the mole ratio between the two is one.Step 3 - Find grams of salicylic acid neededThe path to solving this problem starts with the number of tablets. Combining this with the number of grams per tablet will give the number of grams of aspirin. Using the molar mass of aspirin, you get the number of moles of aspirin produced. Use this number and the mole ratio to find the number of moles of salicylic acid needed. Use the molar mass of salicylic acid to find the grams needed. Putting all this together:grams salicylic acid 1000 tablets x 1 g aspirin/1 tablet x 1 mol aspirin/180 g of aspirin x 1 mol sal/1 mol aspirin x 138 g of sal/1 mol salgrams salicylic acid 766.67Â   Answer 766.67 grams of salicylic acid are needed to produce 1000 1-gram aspirin tablets.

Kylie Masshardt Essays (496 words) - Military History By Country

Kylie Masshardt Essays (496 words) - Military History By Country Kylie Masshardt 3rd period March 27,2016 World War 1 Weaponry Between July 28 of 1914 to November 11 of 1918 a four-year world war broke out around the globe. With more than 15 participating nations and empires, many advancements in various fields were inevitable. There were many contributing factors as to why the war broke out, but one aspect that is often placed aside is the importance of the weapons utilized during the war. There were hundreds of weapons that made an appearance in the war, some of which include: poison gas, tanks, and machine guns. How these three specific weapons played a role in the war varies from each weapon and nation using them. April of 1915, the Germans introduced poison gas at the second battle of Ypres. Chlorine was the first gas used, killing hundreds of French troops. As the war progressed so did the usage of poison gas. Beginning as only chlorine, many gases began making their way onto the battle field. Introduced a few years later was phosgene and mustard gas, which blinded those who came in contact with it. By the year 1917 poison gas could be delivered with better accuracy with the use of chemical shells and mortars. By the end of the war there was an estimated of one million casualties due to poison gas. In addition to poison gas, tanks, or "land battleships," were introduced in the first world war. At the orders of Winston Churchill on September 1916, the tank would make its first appearance in the war. Initially, the tank was built with the intent of being indestructible to the machine gun fire, and their tracks would be able to cross rugged terrain, trenches, as well as barbed-wire. Although the tanks weekend enemy morals, they had faults. The tanks were slow and endured many mechanical problems. As stated by Mr.Bronsnan,"[] tanks were more reliable and available to British forces in greater number." Lastly, the machine. The machine gun wasn't a new weapon though. American, Hiram Maxim, had invented the gun that bore his name in 1884 but it was later altered and refined and made easier to carry. Making it more reliable and even deadlier across the expanses of "no man land" that separated the two sides on the Western Front. Germany also endured a type of machine gun, the Maschinegewehr 08. It had been based on the Maxim gun, it could fire 400 hundred rounds a single minute. The machine gun allowed for a faster more efficient war to be fought. In conclusion, many weapons had been introduced or utilized during the first world war. These weapons allowed for certain advantages and progressions in future weaponry. There were hundreds of weapons that made an appearance in the war, some of which include: poison gas, tanks, and machine guns. How these three specific weapons played a role in the war varies from each weapon and nation using them.

Contemporary Issues in Criminal Justice Management Term Paper

Contemporary Issues in Criminal Justice Management - Term Paper Example There has been a 605% increase in violent crimes in U.S.A alone since 1953. Americans view violence and crime as the most significant issue being witnessed in the U.S.A. A good criminal justice system helps to maintain law and order of a country under control. Even though the administration is toothed with an exhaustive power to trace and punish criminals, many procedures have been set out by the American Constitution like the right to engage a counsel, right to remain silent, right to appeal, etc. for an accused. The main intention of a criminal law is to safeguard society. One of the famous maxims about criminal law is that the punishment must fit the crime. Thus, this research study helps to evaluate what a criminal system is, a comparison between traditional and contemporary policing, legal, diversity and ethical issues associated with American Criminal Justice System and about its intricacies in detail. [Summers &Hoffman, 2002, p.173]. Criminal justice system consists of a great number of actors executing different jobs like judges, police officers, probation officers, bondsman, etc. Each player in the criminal justice system requires to gain assistance and cooperation of the other actors by assisting those players to accomplish their objectives. The federal system of the United States is founded on the substratum notion that the states administer the principal responsibility for criminal justice and hence, criminal justice is the nucleus of state and not national responsibility.[Barkow,2003,p.33]. Currently, there is no single criminal justice system in U.S.A as different states follow many systems that are identical but individually distinctive.  

FARC - Revolutionary Armed Forces of Colombia Essay - 1

FARC - Revolutionary Armed Forces of Colombia - Essay Example The Fuerzas Armadas Revolucionarios de Colombia (FARC) is one of the largest and most well organized rebel military forces operating in the world today. Based in Columbia, South America it has reached a global level of influence through its worldwide cooperation with other terrorist groups around the world. Though the organization was started as a militant human rights organization that had the purpose of fighting for the rights of landless peasants, they have since become more violent and have expanded their sphere of operations. The FBI, CIA, State Department, and United Nations all agree that to attain the label of terrorist they must target the civilian population (Beres n.d.). It may be an individual, a group, an organization, or a country that funds and advocates terrorism. Terrorism must use misappropriated violence or the threat of violence against the civilian populace to alarm or intimidate a government. The Unites States Department of Defense further defines terrorism as, "...violence against persons or property to intimidate or coerce a government, the civilian population, or any segment thereof, in furtherance of political or social objectives" (Beres n.d.). The activities of FARC in recent decades have seen the graduation from a rebel army fighting a right wing government to an organization that routinely attacks civilian targets and uses violence indiscriminately. A study of the history and structure of FARC can illustrate the strategic changes an organization can go through when faced with frustration in the political arena.